Yuva Gati (‘Youth Movement’) is a dance training programme for dance styles from South Asian heritage.
Training includes, but is not limited to styles such as Bharatanatyam, Kathak, Bhangra, Bollywood, Kandyan, Nepalese plus more. Applications to join Yuva Gati are open to all young people aged 11 to 16 across the UK. All levels of experience within South Asian dance practices are invited to apply.
Young people can be aged 11-16 years when joining the scheme or up to 23 years if d/Deaf or Disabled. Training can continue until age 18 or up to 25 years if d/Deaf or disabled.
Centre for Advanced Training (CAT) Yuva Gati is funded by the Department of Education Music and Dance Scheme and delivered by FABRIC in partnership with Sampad Arts and Heritage. Designed to assist those interested in South Asian dance practices regardless of their personal circumstance, and share world-class specialist training as part of a broad and balanced education.
Participants are supported in fulfilling their maximum potential and are equipped with confidence, discipline and transferable skills for professional dance training or further education.
Our Yuva Gati Team is led by Shane Shambhu with an incredible team of professional artists Mira Balachandran Gokul, Anuradha Chaturvedi Seth, Divya Ravi and Parbati Chaudhury along with a wide variety of nationally and internationally recognised guest artists and tutors. Through building a supportive and nurturing learning environment young talent will focus and grow through the primary aspects of the Yuva Gati programme:
Development in these key areas raises the quality of dancing and performance ability of participants and extends to their everyday lives and education by:
Building discipline and rigour through a deepened understanding of their artform
Improving physical well-being through heightened body awareness
Strengthening determination and will-power through a sense of accomplishment
Boosting confidence through performance opportunities
What is included in your training:
Minimum 16 days contact training days in Birmingham
Financial support for travel and accommodation
Financial support to attend weekly training sessions with Home Tutors (if you don’t have one, we will help identify one near you)
Individual Training Plans
End of Year reports/feedback and tutorials
Termly opportunities to join online Master Classes
Termly opportunities to see live professional performances
Opportunities to explore different dance styles from other South Asian origins
Opportunities to collaborate with other Centre for Advanced Training students
Access to classes with our contemporary CAT students on Saturdays in Birmingham or Nottingham
End of Year performance opportunities
Professional development and networking events for Home Tutors
Intensives
Residential intensives are delivered at FABRIC. These are split up over the academic year during half-term/end-of-term breaks (October, February, April, June, and summer holidays), and amount to at least 16 contact days per year.
The Intensives balance technique training with repertoire and participants work with national and international artists to develop their practice.
Home Tutors
Weekly training is provided by the ‘Home Tutor’ during school term time in the participant’s town or city. The Home Tutors work closely with the Yuva Gati Artistic Team, with regular communication ensuring that each individual receives valuable feedback and has continued and connected development and attention throughout the year.
Individual Training Plan
Each participant has an Individual Training Plan devised in consultation with parents/guardians and the Home Tutor, to support the student’s learning, and ensure the balance is maintained between the demands of schoolwork and dance studies.
Selection Process
Entry on to the Centre for Advanced Training programme is via an admissions workshop only. Admissions workshops are held annually, usually in the summer for entry onto the programme the following September.
The admissions workshop is your opportunity to demonstrate your potential by taking part in a practical dance session and creative workshop in front of a selection panel. Unfortunately, we are not able to offer places outside this process.
Weekly training takes place during school term time in the participant’s town or city.
Residential intensives are delivered at FABRIC Birmingham Studios. These are split up over the academic year during half-term/end-of-term breaks (October, February, April, June, and summer holidays)
Actor, Director and Choreographer, Shane Shambhu is an award-winning artist and the Creative Director of ALTERED SKIN. Shane is a Complicite Associate and an Associate Lecturer at East 15 Acting School. Shane has an extensive performance career spanning different artistic genre’s and includes work with: Short Films Letters From Afar (Omni-kizzy Productions) and Boat (Just So Films), Complicite’s award-winning A Disappearing Number (National Theatre Live and BBC Radio 3), Icon Theatre’s award-winning Release, Theatre Ad Infinitum, Shobana Jeyasingh Dance Company, Royal Opera House, inDance (Canada), Nina Rajarani’s Quick! (Place Prize Winner 2006), New Art Club and Menagerie Theatre to name just a few.
Shane’s recent work has involved working as Movement Director for Tara Arts’ Game Of Love and Chai with Writer, Nigel Planer and Director, Jatinder Verma and Crying in The Wilderness Productions’ Conundrum opening at Young Vic, London in 2019. He is currently touring Altered Skin’s Confessions Of A Cockney Temple Dancer with dates set for 2018/2019 and 2020.
Beyond creative works Shane Shambhu is a speaker presenting at conferences nationally and internationally and also co-project lead on Ensemble Mathematics, a curriculum and professional development project, which explores the impacts of using drama in the teaching of primary mathematics, and The Natya Project, a project aimed at discovering career progression routes for young bharatanatyam professionals.
Anuradha Chaturvedi Seth
Yuva Gati Principal Artist, Kathak
Anuradha Chaturvedi is a Reading based Dancemaker and teacher. She has studied Kathak under late Pundit Arjun Mishra in Lucknow India and is a recipient of Sringaarmani from Sur Sringaar Samsad, Mumbai, India. Anuradha has been a performing artist for nearly 15 years and she works as dancer, choreographer and teacher in Reading and surrounding areas. She has done Sangeet Praveen from Prayag Sangit Samiti and also holds ISTD’s level 6 Diploma in Dance Pedagogy. She is the founder and artistic director of Drishti Dance, performing arts organization known for its Vibrant Youth Dance wing, which has represented Southeast Region in National U Dance in 2018 and 2019.
Parbati Chaudhury
Yuva Gati Lead Artist, Kathak
CAT Lead Artist, Kathak
Parbati Chaudhury is a London-based performer, maker, and teacher, working for a number of companies and choreographers, including Pagrav Dance Company (PDC), ReRooted Dance Collective, Akademi, Kadam Dance, and Amina Khayyam Dance Company.
Her training in kathak began in 1998 at the Bharatiya Vidya Bhavan, and it continues with Urja Desai Thakore.
In the making of her own work, Parbati echoes the narratives she encounters through abstraction, dramatization, and subversion, using dance rooted in kathak, live music, and theatre, with collaboration at its heart. As one of DanceXChange’s 2020 Choreography Awardees, she is further developing her work-in-progress, Goodgirl.
As a teacher, Parbati leads kathak classes for PDC, as well as independently.
Mira Balchandran Gokul
Yuva Gati Principal Artist, Bharatanatyam
Mira Balchandran Gokul had a rigorous full time training at the Kalakshetra College of Fine Arts participating in their world renowned dance dramas, festivals and lecture demonstrations. As a child she trained in Kathakali and Mohiniattam and have been exposed to a wide variety of dance and theatre forms of Kerala. These combined experiences have laid a strong foundation and appreciation of all art forms of performance and a passion to share her knowledge and experience with young people.
Mira has worked with pioneering tutors and choreographers in India and England. She is Co-Founder and CoArtistic Director of SANKALPAM, an international touring dance company that has created and toured over 14 new works and presented an annual programme of classical work with accompanying education and training programmes.
In the UK she has collaborated, as well as attended residencies, with a wide range of artists such as choreographers Luca Silvestrini, Lea Anderson, Stephanie Schober, jazz saxophonist Iain Ballamy, Yoruban Dancer Peter Badejo, lighting designer Lee Curran and Theatre Director and scholar Philip Zarrilli amongst many others. She brings to this role a wide network of contacts both in India and England, as well as a wide understanding.
In addition, Mira has worked with MDI, a leading national dance agency in Liverpool, as Youth Dance Development Officer to roll out the national programme for Children and Young People in Merseyside and as Big Dance 2012 Coordinator to lead on developing the dance programme in the North West, as part of the London Olympics Festival 2012. The flagship project brought together over 1000 participants aged 8 – 86 years from across the North West to create the largest dance performance in the country.
Mira was part of Kaleidoscope Arts, a combined-arts collective in Sefton that was nominated in 2008 and 2009 for the Cultural Champions of Merseyside award. Through a recent master’s programme from University of Manchester she has focused on the role of the dance artist in conflict situations. She has continued this research and in 2016, along with dance researcher Debbie Fionn Barr, presented work at conferences in Stockholm, Lincoln, Leeds and Oxford University. She was selected for the Dance UK mentoring programme 2015/2016. She has performed and taught extensively and has been a dance research consultant, mentor and judge on youth dance panels in India and England.
Mira was a Judge for the category finals of BBC Young Dancer 2015 and Mentor for the BBC Young Dancer 2017.
Divya Ravi
Yuva Gati Lead Artist, Bharatanatyam
Divya Ravi is a Bharatanatyam practitioner, performing artiste, choreographer and educator. Recognized among the most prominent young soloists in the South Asian Dance arena, Divya’s sensitive and immersive performances are marked by conviction and ownership of the movement vocabulary, finesse and fluidity in expressions, innate musicality, and a commanding stage presence.
Divya’s artistic journey is driven by the quest to make indic ideologies relevant and accessible in a modern society. Her solo choreographic works for the stage – MANJARI, SARVASYA, POEMS OF LOVE, SAARINI and NARMADA, and for the digital medium – ‘Kanhopatra’, ‘The 12 names of Lord Ganesha’, ‘Kaapi with Krishna’, ‘Navadurga #NotJustAnIdol’, ‘Taaye Taalelo’, ‘Lal Vakh’, and ‘Tiranga’, have been lauded for their thought-provoking premise and path-breaking choreography. A graded artiste of Doordarshan and empaneled with the Ministry of Culture for Festivals of India Abroad, Divya is a recipient of many awards and accolades and has extensively performed at coveted dance festivals in India, Singapore, Sri Lanka, Kuwait, Hong Kong, UK and China.
Divya’s sound technique stems from rigorous formative training under Sri. Kiran Subramanyam & Smt. Sandhya Kiran, Dr. Soundarya Srivathsa, and Smt. Bragha Bessel. She continues to explore her artistic pursuits in the UK, training with Sri. Mavin Khoo.
Jade Barnes
Centre for Advanced Training Teaching Assistant
Imogen Wilmot
Centre for Advanced Training Teaching Assistant
Hear from CAT Yuva Gati students
It has been an invaluable experience being part of this programme; it gave me the opportunity to learn from various internationally-renowned dancers and choreographers
Vidya - Yuva Gati Graduate and BBC Young Dancer Finalist
Allows you to explore dance in a new and exciting way!
Yuva Gati Student
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