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The Jerwood Choreographic Research Project (JCRP) is an initiative by FABRIC and Jerwood Foundation to promote new choreographic research.

It aims to expand knowledge and practical approaches to making dance in the UK and beyond, shaping, innovating, and advancing the future of the art form. By supporting the development of ideas, discussions, and practices.

Including those yet to be discovered, the project nurtures bold thinking and new possibilities in choreography.

What is important to us? 

At FABRIC we seek to develop dance as an art form. We curate programmes and present work that is curious about this moment and the future, reflecting and celebrating contemporary Britain and its communities from local to global. We believe dance has the power to transform lives, and we’re determined to make it accessible to more people.

We place process, rigour, care, voice, representation and inclusion at the heart of our activity in order to create positive transformation. Our approach is informed by the values of CURIOSITY, DISRUPTION, and JOY.

We’re committed to driving new knowledge, fresh ideas, and bold questions. We’re seeking curiosity, honesty, and the unveiling of something original —for the artist and the entire sector. By pushing the boundaries of research and thought, we hope to create more opportunities for dance to thrive.

Research and art-making are unpredictable, risky journeys, and through JCRP we’re empowering artists with the appropriate resources and conditions to dive deep into their ideas, challenge the status quo, and shape the future of dance.

What do we mean by choreographic research? 

We believe choreographic research explores movement and the body as the primary tools for developing ideas and knowledge across diverse forms of expression, identity, and context.

This research involves creating and testing spaces for new ideas, which can emerge through movement or other methods like writing, conversation, drawing, dreaming, or listening. It can take place as an individual, in collaboration, or through participatory processes.


View our cohort of artists for the Jerwood Choreographic Research Project 2025 below:

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JCRP 2025 Artists

Bronwen Wilson Rashad

I am investigating how you can help a community find its dance, for the purposes it seeks. I want to see if social and folk dance forms can help us understand how to build communities that are ready and resilient for the fight for our collective future. A dance craze with a purpose, with something to say.

Image by Rocio Chacon
Chisato Minamimura

“As a Deaf choreographer, I’ll be exploring the intersection of climate awareness and accessibility through my practice. I’ll begin to develop Deafscapes of Gaia, a new movement-based interpretation of human-in-nature experiences using visual soundscapes. Beginning with the theme of Water, I’ll create inclusive, sensorial choreography highlighting nature’s fragility and resilience.”

Image by Mark Pickthall
Emma Lewis-Jones

“I will study unison, exploring the extent to which irregularity and failure are intrinsic qualities of the foundational dance tool. I’m curious about unison’s dizzying impact on spectator and performer alike, but also it’s flaws and limitations in the context of research-lead contemporary performance practice.”

Image by MM Whawell
Eric Scutaro

“I am exploring how to develop my first choreographed performance, using the symbolism of the phoenix to embody resilience, transformation, and non-binary identity through Waacking and Hip-Hop dance, transitioning from freestyle activism to staged storytelling.”  

Esme Benjamin

This research investigates the queer mixed-heritage body as a borderland to develop a practice-of-disorder and choreographic methodology. Exploring sites of disorder through the spine (physically and symbolically) and the borders of movement, mark-making and free-writing, to re-define the borderland from a perceived place of burden to a place of possibility.

Image by Serafina Pang
Freya Stokka

I am going to use counterbalance and counterweight to research the act of falling. I’m curious about how it impacts the performer and the audience, and how this changes if the audience, or the performer are from a marginalised group.”

Image by Guy Bellingham
Izzy Brittain

I will research new work The Smalls; a fun, fascinating, interactive arts experience for small people and their grown-ups. Merging dance, poetry, soil science, storytelling and song. Inviting audiences to wriggle through a journey into a teaspoon of topsoil, bringing the weird and wonderful microworld of soil animals to life.“ 

 Image by Coralie Datta
Maiya Leeke

How far can I dream if my body and wheelchair are suspended in the air? I will be researching fluidity, weightlessness, and connection when my body and wheelchair are held in aerial suspension. My desire is to further unlock a movement language in the air that I don’t have access to whilst dancing on the ground.

Image by Courtney Lowe
Neve Harrington

“My research will sit between dance, visual arts, craft and coding to explore ways that creative coding and choreography might interact to create a hybrid performance that I’m provisionally calling a “digital quilt”. The research will underpin how the project might progress, answering some known unknowns and inevitably revealing as yet unknown possibilities which are made possible only through doing.”

Image by Christa Holka
Oluwaseun Olayiwola

My research is two-pronged: firstly, to form a personal archive of artists that combine the poetic and the choreographic, and secondly, to use the learning from that archive to augment my own studio dance practice entitled; ‘Radical Wonder. Serious Play’.”  

Image by Richard Moorhouse
Payal Ramchandani

I’m exploring how Indian classical dance can serve as a movement-oriented response to systemic biases like casteism and colourism through a new work called ‘Footprints in Ash’ (working title). I’m curious about how power and exclusion are held in the body. This research seeks to push the form beyond tradition to challenge hierarchies through sound, space, and presence.

Image by Sharad Sharma
Ray Young

My research will be an inquiry into the transformative power of social dance as a medium for healing, ancestral connection and inclusivity.  It will consider what might emerge from the convergence of formal, instinctual and communal movement to shift past trauma towards joy.

Image by Rosie Powell
Roberta Jean

This research aims to explore predictions about the future of movement and choreographic practice, focusing on the impact of technology, the environment, and culture. I will specifically examine the potential benefits, limitations, and challenges of developing a therapeutic relationship with AI. For example, what might we feel comfortable sharing with a non-human entity that we wouldn’t share with one another?

Image by Jonathan Webb
Sarah Shorten

I’m interested in how a professional adult dancer and young child can work as equals away from traditional studio settings – I sense these often confine the child. In general, I don’t want site choreography to be devoid of children, which doesn’t match the world around us.

Image by Marcus Way
Tim Lo

My research is into multi-modal dance theatrical installation exploring themes of queerness, migration, roots and home. The main inquiries include: Interweaving of British life and Chinese heritage; Challenging choreographic approaches to music through spoken language, vocalisations and body percussion; Developing improvisational score as performance; Creating ensemble touring framework with changeable cast; Installation creating and performance sharing in varied settings/venues.

Image by Trans Portraits UK
Viviana Rocha

“My research investigates the conditions for, and integration of, K.R.U.M.P.’s Get Off and Flamenco’s Duende into a new choreographic language. I study how these forms of heightened expression, embedded in form and rooted in feeling, can collaborate with images both created and pre-existing as a method of exploration and unspoken co-creation.

Image by Serafina Pang

About Jerwood Foundation

Established in 1977 for John Jerwood MC (1918 to 1991) by Alan Grieve CBE, Jerwood Foundation is a UK charity committed to supporting excellence and emerging talent in the arts in the UK. Alan Grieve is now Chairman Emeritus, Rupert Tyler having been appointed as Chairman in 2023. The organisation is led by Lara Wardle, Executive Director and Trustee. To date Jerwood Foundation has committed over £112 million to support the arts in the UK.

Jerwood Foundation owns the Jerwood Collection of modern and contemporary art, and an important part of Jerwood’s philanthropic mission is delivered by the Collection through its loaning programme and promotion of a broader understanding, interpretation and enjoyment of art.  Also included in the Jerwood group of organisations is Jerwood Space, which was Jerwood’s first major capital project when established by Jerwood Foundation in Southwark in 1998. Jerwood Space is a dedicated rehearsal space providing theatre, musical theatre, opera and dance companies with an outstanding environment within which to create their work. To find out more about Jerwood, visit jerwood.org.

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