JCRP Phase 1: April – August 2025
Dan Daw By Graham Adey X
Each artist received a bursary to to explore and develop their choreographic research.
“I am investigating how you can help a community find its dance, for the purposes it seeks. I want to see if social and folk dance forms can help us understand how to build communities that are ready and resilient for the fight for our collective future. A dance craze with a purpose, with something to say.”
“As a Deaf choreographer, I’ll be exploring the intersection of climate awareness and accessibility through my practice. I’ll begin to develop Deafscapes of Gaia, a new movement-based interpretation of human-in-nature experiences using visual soundscapes. Beginning with the theme of Water, I’ll create inclusive, sensorial choreography highlighting nature’s fragility and resilience.”
“I will study unison, exploring the extent to which irregularity and failure are intrinsic qualities of the foundational dance tool. I’m curious about unison’s dizzying impact on spectator and performer alike, but also it’s flaws and limitations in the context of research-lead contemporary performance practice.”
“I am exploring how to develop my first choreographed performance, using the symbolism of the phoenix to embody resilience, transformation, and non-binary identity through Waacking and Hip-Hop dance, transitioning from freestyle activism to staged storytelling.”
“This research investigates the queer mixed-heritage body as a borderland to develop a practice-of-disorder and choreographic methodology. Exploring sites of disorder through the spine (physically and symbolically) and the borders of movement, mark-making and free-writing, to re-define the borderland from a perceived place of burden to a place of possibility.”
“I am going to use counterbalance and counterweight to research the act of falling. I’m curious about how it impacts the performer and the audience, and how this changes if the audience, or the performer are from a marginalised group.”
“I will research new work The Smalls; a fun, fascinating, interactive arts experience for small people and their grown-ups. Merging dance, poetry, soil science, storytelling and song. Inviting audiences to wriggle through a journey into a teaspoon of topsoil, bringing the weird and wonderful microworld of soil animals to life.“
“How far can I dream if my body and wheelchair are suspended in the air? I will be researching fluidity, weightlessness, and connection when my body and wheelchair are held in aerial suspension. My desire is to further unlock a movement language in the air that I don’t have access to whilst dancing on the ground.”
“My research will sit between dance, visual arts, craft and coding to explore ways that creative coding and choreography might interact to create a hybrid performance that I’m provisionally calling a “digital quilt”. The research will underpin how the project might progress, answering some known unknowns and inevitably revealing as yet unknown possibilities which are made possible only through doing.”
“My research is two-pronged: firstly, to form a personal archive of artists that combine the poetic and the choreographic, and secondly, to use the learning from that archive to augment my own studio dance practice entitled; ‘Radical Wonder. Serious Play’.”
“I’m exploring how Indian classical dance can serve as a movement-oriented response to systemic biases like casteism and colourism through a new work called ‘Footprints in Ash’ (working title). I’m curious about how power and exclusion are held in the body. This research seeks to push the form beyond tradition to challenge hierarchies through sound, space, and presence.”
“My research will be an inquiry into the transformative power of social dance as a medium for healing, ancestral connection and inclusivity. It will consider what might emerge from the convergence of formal, instinctual and communal movement to shift past trauma towards joy.“
“This research aims to explore predictions about the future of movement and choreographic practice, focusing on the impact of technology, the environment, and culture. I will specifically examine the potential benefits, limitations, and challenges of developing a therapeutic relationship with AI. For example, what might we feel comfortable sharing with a non-human entity that we wouldn’t share with one another? ”
“I’m interested in how a professional adult dancer and young child can work as equals away from traditional studio settings – I sense these often confine the child. In general, I don’t want site choreography to be devoid of children, which doesn’t match the world around us.“
“My research is into multi-modal dance theatrical installation exploring themes of queerness, migration, roots and home. The main inquiries include: Interweaving of British life and Chinese heritage; Challenging choreographic approaches to music through spoken language, vocalisations and body percussion; Developing improvisational score as performance; Creating ensemble touring framework with changeable cast; Installation creating and performance sharing in varied settings/venues.“
“My research investigates the conditions for, and integration of, K.R.U.M.P.’s Get Off and Flamenco’s Duende into a new choreographic language. I study how these forms of heightened expression, embedded in form and rooted in feeling, can collaborate with images both created and pre-existing as a method of exploration and unspoken co-creation.“
You can update your preferences at any time by clicking on the icons at the bottom of this page.
Mandatory – can not be deselected. Necessary cookies help make a website usable by enabling basic functions like page navigation and access to secure areas of the website. The website cannot function properly without these cookies.

